Number 1450: Waterfront girl

Người đăng: Unknown on Thứ Hai, 7 tháng 10, 2013

When I was in junior high school Big Pappy took me aside to give me the talk. You know, the one where he warned me about what girls and women to avoid. After hearing about how those girls and women would lead me down the road to sex, sin and ruin, I spent the rest of my teenage years looking for them.

He never warned me about is the subject of today’s post, the waterfront girl (probably because we lived 700 miles inland). Our story is about Sal Benson, singer in a waterfront dive. Our gal Sal has had a rough life, and is now trapped on an island entertaining a bunch of coarse roughnecks. She sees a chance to get out by stealing another woman’s fiancé.

“I Was a Waterfront Girl” is drawn by Paul Gustavson and Bill Ward, and is from Quality Comics’ Love Letters #3 (1950).










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Number 1449: Spy Smasher and the fear of little men!

Người đăng: Unknown on Chủ Nhật, 6 tháng 10, 2013

Boy, the little men in this story about little men are really little. They’re about the size of those “100 toy soldiers” you used to be able to buy from an ad in comic books. The tiny guys under the control of the Nazi saboteur, Dr. Potz. The story reminds me of the movie, Dr. Cyclops, which came out in 1940, and could well have been an influence on this tall short tale. Also, the Gulliver-like scenes of Spy Smasher tied up by these Lilliputian-sized men remind me of another movie, the animated Fleischer feature, Gulliver’s Travels, from 1939.

From Fawcett’s Spy Smasher #3 (1942):
















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Here's another Spy Smasher adventure...just click the thumbnail.


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Number 1448: Joe Kubert and the Dance Macabre

Người đăng: Unknown on Thứ Sáu, 4 tháng 10, 2013

“Dance Macabre”* by Joe Kubert is another of his early works, this time from Black Cat #2 (1946). Over the past few years I've posted some of Joe’s work from those days when he was in his teens and early twenties. (See the links down below the story scans.) Even in his earliest artwork Joe showed signs of being a prodigy, but he constantly worked at his craft. Over time he became one of the greatest, and most respected comic book artists of all time. Because he had been mentored by artists like Mort Meskin he did the same with his Joe Kubert School. The history of comic art would be a much different place without Joe, and so I find virtually everything he did to be of interest.









*The name of the musical piece is actually “Danse Macabre,” written by Camille Saint-Saëns in 1874.

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More early Joe Kubert. Just click the pics:




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Review: Team 7 Vol. 1: Fight Fire with Fire trade paperback (DC Comics)

Người đăng: Unknown on Thứ Năm, 3 tháng 10, 2013

So many interesting elements go in to Team 7 Vol. 1: Fight Fire with Fire that it's a shame the book doesn't come together as a larger whole.

Constant readers will know one of my favorite series in the past ten years is Greg Rucka's Checkmate, which used almost-random characters from the DC Universe in a espionage/political thriller setting, to great effect. Team 7 mimics that, combining disparate heroes and villains in similar situations; however, Team 7 never gets so far as to make me care about the characters the way Checkmate did. Varying art quality equally make it difficult for the book to hold my attention.

[Review contains spoilers]

I read Team 7 not long after I watched the first episode of Marvel's Agents of SHIELD, and there's some parallels to be drawn between the two. Like SHIELD, Team 7 is about an elite group of agents recruited to stand between regular people and the "new normal" of super-heroes in the early New 52 world. But even as I found SHIELD perhaps too cutesy in the ABC way, it still did well introducing a number of new characters, dropping enough hints about their lives to get the audience interested in them, and balancing it all with good (if predictable) humor. Team 7's humor is so droll as to be deadpan -- "I can try," Suicide Squad's Amanda Waller tells new character Dean Higgins; "Don't try. Do," he replies, and "Thank you, Master Yoda" is Waller's un-funny retort.

Team 7 writer Justin Jordan benefits from a number of familiar faces in this book, including Black Canary Dinah Lance, Deathstroke Slade Wilson, Grifter Cole Cash, Waller, and even Alex Fairchild, whom readers know at least in absentia as father of Superboy's Caitlyn. Team 7's first stumble, however, is that Jordan offers not much to distinguish new character (and ultimately key player) James Bronson, nor Higgins or team pilot Summer Ramos. It's equally confusing that, by the second issue, Higgins is wearing the distinctive goggles that Bronson wore in the first (and Higgins's skin color has also lightened to match Bronson's), while Bronson wears a giant robot suit for no reason ever established in the story. It therefore took me a while to recognize the new characters in the first storyline, and this distanced me from those characters.

Once Team 7 gets past its rudimentary meet-the-team first issue, the elements are there for success -- these fan-favorite heroes go up against a floating prison of criminals mind-controlled by equally fan-favorite villain Eclipso. What's more, also seeking the power of Eclipso is Kaizen Gamorra, long-time Wildstorm bad guy and Authority foe. If like me you've enjoyed how the New 52 has mashed-up DC and Wildstorm, having Team 7 (Wildstorm) with Black Canary and Deathstroke (DC) and Fairchild and Grifter (Wildstorm) fightning Eclipso (DC) and Kaizen Gamorra (Wildstorm), this book ought be for you.

Again, however, the elements just don't coalesce the way one might hope. Main series artist Jesus Merino doesn't join the book in full until issue #4, and the art is of varying quality until that point -- sometimes the characters are very detailed, sometimes they have only faint features or distant looks on their faces; sometimes the art has an animated look and sometimes it's dark and sketchy. Team 7's main line of defense is simply to shoot their enemies, and so action is mostly bursts of gunfire from the team and explosions of blood from their enemies. It becomes not really a spy book so much as a generic action book, and I think Jordan could have done with a character or two less -- panels are often too crowded with team members.

The second four-part storyline in Fight Fire represents Team 7's last, as DC cancelled the title after the last issue in this trade. That storyline jumps around a bit, possibly to fit what would have been a larger story into fewer issues; this ought be Team 7's big moment, but unfortunately it falls down a lot, too.

Jordan opens with Deathstroke in the present, which is great because what Team 7 needs is not to be stuck in the past, but to show how Team 7's adventures affect the here-and-now; that issue raises some questions for the Superboy and Ravagers titles, but ultimately the flash-forward is for one issue only. The issue finishes with the terribly muddy introduction of (Mr.) Majestic into the New 52 -- somehow Gamorra activates Bronson's metagene and makes him Majestic, but even though Gamorra has activated him, Bronson still works for Team 7 and wreaks a good deal of havoc on Gamorra's country; Bronson becomes Majestic when he's attacked by Spartan, apparently a robot of Gamorra's who comes under Team 7 control. It doesn't make a lot of sense, and Majestic's introduction, Team 7's biggest contribution to the New 52, ends up confusing rather than exciting.

Team 7's cruelest tease, however, may be a premonition that Gamorra's psychics share that shows Majestic fighting Flashpoint's Pandora, something that seems ripped from the upcoming Trinity War but, my guess is, won't actually manifest. Though Majestic is a character too similar to Superman, intentionally, I've enjoyed his Wildstorm appearances and I would have been curious to see him in the New 52; without Team 7, however, I think that's unlikely.

This book marks the first time that I can recall that I've seen one of DC's gatefold "WTF" covers collected in a trade. Since the image fits on one page, at first I thought DC had included only part of the cover; then I realized they had shrunk and turned the cover vertical, "letterboxing" the sides, to make it fit. This is a fine solution for this particular cover, which looks right both horizontal and vertical, though I hope in other books we get a two-page spread rather than requiring the reader to turn the book sideways.

My hunt for a Checkmate equivalent continues, because while teaming Grifter, Black Canary, Deathstroke, and Amanda Waller ought always be a surefire win for me, Team 7 Vol. 1: Fight Fire with Fire didn't have the personality to deliver what I was looking for. I applaud DC for the concept, though; if they ever want to release a special re-teaming the Team 7 characters in the present, that's definitely something I'd pick up.

[Includes original and variant covers, sketches by Merino, Pascal Alixe]

Next week, Batman: The Dark Knight and Death of the Family. Don't miss it!
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Review: Avengers Assemble: Science Bros trade paperback (Marvel Comics)

Người đăng: Unknown on Thứ Tư, 2 tháng 10, 2013

[Review by Doug Glassman, who Tumblrs at Hell Yeah '80s Marvel!]

Marvel launched Avengers Assemble as a movie tie-in in only the loosest of terms. The initial storyline, by Brian Michael Bendis, featured the film’s cast as they fought Thanos and teamed up with the Guardians of the Galaxy (the next non-sequel Marvel Studios film). It would have been easy to just get rid of Assemble once that story was finished, but the reshuffling of the Avengers franchise thanks to Marvel NOW! meant that a niche had opened up. I think there’s room for a lighter Avengers title amongst all the heavy space drama, which is where Avengers Assemble: Science Bros comes in.

Kelly Sue DeConnick worked with Brian Michael Bendis on Castle: Richard Castle’s ‘Deadly Storm’ and is close friends with him, so she’s able to keep a similar tone to his while maintaining her own voice. The issues collected here take place just before and during the transition into the current Avengers franchise, and they help smooth out some of the elements glossed over by Jonathan Hickman’s Avengers World. This also makes it one of the last books to feature Peter Parker as Spider-Man (at least before he returns in whatever will come after Superior Spider-Man), and I do wish DeConnick had done more with him. As it stands, his appearances in the first story arc are highlights of the book.

As I mentioned in my Avengers World review, the one character who needed some alterations to fit back into the team was the Hulk, and Assemble, along with Indestructible Hulk, provides the necessary changes. The title of the trade and the first story arc refers to Bruce Banner and Tony Stark, whom the fandom dubbed the “Science Bros” after their chemistry in the Avengers film. It was a brilliant take on the characters and Marvel was wise to follow through with it in the comics. DeConnick sets them up in opposition, with Stark as the perpetual optimist and Banner as the understandable pessimist. Despite their conflicting ideologies, they’re able to solve the convoluted problems the Avengers keep finding themselves in; a good chunk of Infinity involves their teamwork. It also feels like a natural progression of their characters to some degree, although considering Planet Hulk and World War Hulk, I have to assume that some counseling sessions took place off-panel.

The first story involves a bet between Stark and Banner as to who can find a missing mutual friend in an Antarctic base. With Thor and Spider-Woman along as their respective teammates, it becomes a fun jaunt until, in horror movie fashion, the pile of corpses is found. DeConnick nails the switch in the mood between issues nine and ten, allowing just enough humor without making the characters seem like sociopaths. They soon discover that the missing scientist is working with a Chinese madman, Yun Guang Han, to re-seed Earth with microbes found in an ancient lake and take it over. Han is a villain who needs to return: not only is he wonderfully smug, we also never learn the cause of his horrific mutation. The High Evolutionary recently returned in Avengers, and Han would make a good assistant/foil for him.

From there, we go to a two-parter starring Black Widow, Hawkeye, and Spider-Woman, the newest Avengers love triangle. I don’t necessarily buy Hawkeye and Spider-Woman dating ... but as indicated here and in Hawkeye, not even they seem to know if their relationship is serious. The mission revolves around a favor the Black Widow offered to the wife of one of her victims. What proceeds is a rather odd story featuring a body-altering drug and lizard-people who look like Doctor Who’s Silurians. The plot eventually takes a back-seat to some excellent character work, and by the end, there’s a sense that Assemble is really about the female Avengers and their perspective on the Marvel universe. There’s even an appearance by Lucky the pizza dog at the end.

The included Annual doesn’t fit into the “female perspective theme,” but then it doesn’t fit with the book’s tone, either. It centers on the Vision, who came back ... at some point. I think it was during or right after Fear Itself; I didn’t really notice that the current Vision isn’t the “Young Vision” who was a member of the Mighty Avengers. The Vision is part of the greatest Avengers love triangle, which has unfortunately been screwed up beyond repair ever since House of M. While the Annual is intended to set up a new status quo, it doesn’t really resolve anything for Vizh, since Age of Ultron put a spanner in the works for him until the launch of Avengers A.I..

The better character in the Annual is Sunturion, a classic Iron Man foe who does what everyone in the Marvel universe wants to do and starts burning down the corrupt corporate juggernaut Roxxon. Sunturion was always one of the more honorable bad guys and the story ends with some hope for his redemption. Unfortunately, the story isn’t helped by almost half a dozen artists working on it. All of them are good, including Mike Deodato, Luke Ross, and Mike Mayhew, but it ends up looking jumbled. Stefano Casselli on the first arc and Pete Woods on the second are as solid as always.

Like Avenging Spider-Man, Avengers Assemble is the go-to book when extra issues are needed for another story. After this trade, two issues are Age of Ultron tie-ins, while the next two are part of the Captain Marvel “The Enemy Within” crossover. There probably won’t be another Assemble trade for a while, but it’ll be worth it, as Warren Ellis is co-writing with DeConnick after the Infinity tie-ins end. If you’re a fan of the female Avengers and/or the Hulk and Iron Man, I’d check out Avengers Assemble: Science Bros. It’s not crucial, but it provides a different perspective on the more earth-shaking events going on in Hickman’s books.
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Number 1447: Prison break!

Người đăng: Unknown

Five cons try to shoot their way out of prison only to find that CRIME CAN'T WIN! Nor can busting out of prison.This story, which tells each killer's crimes, is a bit like a television or movie script, and accentuates the drama leading up to the fatal final scenes.

Syd Shores, one of the great journeymen artists of the Golden Age, lends his considerable talents to telling this violent tale. I have some links to more of Shores’ fine work after the story scans.

From Wanted Comics #51 (1953):










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As promised, more Shores, representing horror, war and Western. Just click the pictures.




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