Người đăng: Unknown on Thứ Ba, 12 tháng 8, 2008



Number 359


Lady Danger finds a needle in a haystack


Valerie Vaughn, aka Lady Danger, doesn't need a disguise, doesn't need super powers. She's smart, resourceful, and need I mention, a real cutie. She starred in a back-up feature in Sensation Comics in the late 1940s. This fine, fun story is written by editor Robert Kanigher and drawn by Carmine Infantino. It originally appeared in Sensation Comics #87 in 1949; this printing is from 1971, Lois Lane #117.

Thanks to Karswell of The Horrors Of It All for sharing the Lois Lane comic. The lead story is drawn by Werner Roth, who did the excellent Lorna the Jungle Girl story I showed a few days ago, and who wouldn't love Lois's hot lace-up boots on the cover?

Other Lady Danger stories I've posted are here, here, and here.










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Review: Green Lantern: The Sinestro Corps War Volume 1 collected hardcover (DC Comics)

Người đăng: Unknown on Thứ Hai, 11 tháng 8, 2008

I was not as impressed with the first volume of Green Lantern: The Sinestro Corps War as I thought I would be. Sure, there were some surprises, but I imagine the biggest one -- the identity of the "Guardian" of the Sinestro Corps -- is pretty much already revealed to anyone who looks at the cover to volume two. This is still a better comic book than what DC released ten years ago ("Millenium Giants," anyone?), but as a crossover most of it seemed quite ordinary.

[Contains spoilers for Green Lantern: The Sinestro Corps War Volume One.]

I'll grant that there are some large, fantastic battles in the first half of The Sinestro Corps War, and that there's a thrill to seeing the embattled Green Lantern Corps in the trenches (the sniper, early on, was especially exciting). But the plot quickly devolves to standard crossover fare -- the main Green Lanterns Hal Jordan, John Stewart, and Guy Gardner are kidnapped to the Sinestro Corps' home planet seemingly without reason, while the rest of the Corps fights on Mogo and Oa, allowing writers Geoff Johns and Dave Gibbons to split the plots between the two books. As opposed to Greg Rucka and Judd Winick's jointly-written Checkmate/Outsiders crossover (or even Rucka and Johns Wonder Woman/Flash), this has the effect of making every other chapter forgettable, depending on which plot you find the most interesting.

Additionally, we find in the end that the Sinestro Corps' real target isn't Oa or Mogo, but rather Earth. It's a nice cliffhanger leading in to volume two, but it makes most of the battles of volume one moot. For a crossover that's received as much attention as The Sinestro Corps War, I didn't expect to have to go through nearly five issues before the story really started.

While I've enjoyed the way that Geoff Johns has deeped and extended the Green Lantern mythos, there's also a lot of revelations in this volume that aren't fully explained. Even as I know the story's not over, I also don't get the sense that answers are necessarily forthcoming. Apparently, we learn, Ion is a willpower force separate from Kyle Rayner, which inhabits its host similar to the fear-creature Parallax; I believe it's the first time we've learned this, though some Green Lanterns are surprised while others take it in stride. Second, the entire Sinestro Corps concept is very vaguely explained -- it's called the Sinestro Corps, but the leader really seems to be a resurrected Anti-Monitor, which is expecially tough to jibe with the multitude of Monitors in Countdown.

What I did like here -- and what continues to put Green Lantern above comics of the past -- were some excellent character moments around all the carnage. Johns shows early on how Sinestro Corps functions as a thematic sequel to Green Lantern: Rebirth; Rebirth was about Hal Jordan regaining his life, but Sinestro Corps is about his regaining his position of leadership, and this will be an interesting challenge for Hal. Over on the Green Lantern Corps side, Gibbons continues to profile one of my favorite characters, Soranik Natu, who must sit out the war to deal with a political dilemma created by Sinestro. The book also deals with some of Guy Gardner's history with the yellow Sinestro rings in a creative and amusing way.

This first volume of Sinestro Corps War ends with one other cliffhanger, that of the Guardians now granting the Green Lanterns the ability to use lethal force. We're led to believe at one point that Hal Jordan himself might kill his enemies -- Hal has killed before, of course, as Parallax, but most of those deaths have been reversed since Geoff Johns brought Hal back, and my hope is that Hal will decide not to use this new ability. I understand why Wonder Woman killed Maxwell Lord, and even why Guy Gardner once killed Major Force, but the newly minted Hal strikes me as a character who should be able to rise above lethal action. My guess is that Johns intends the reader to feel exactly this dilemma, and I'm eager to see how it's resolved.

[Contains full covers.]

On now to the second volume of Sinestro Corps, and then the Tales of the Sinestro Corps collection. I've heard such good things about this crossover; I'm hoping to be quite impressed.
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Người đăng: Unknown


Number 358


All-American Miss America


I got these scans off the Internet a few years ago. There was a website devoted to showing Timely Miss America stories. Fortunately, I downloaded the scans from the net and saved them on disk. I went looking for the site recently and couldn't find it. If it's still out there please tell me.

In the meantime, while we're waiting to hear, enjoy this topnotch stuff from Miss America Comics #1 (and only), from 1944. There is some controversy on the artwork; the majority consensus says it's by Ken Bald with George Klein on inks. But the editor at the time, Vince Fago, said it was by an animation friend of his, Pauline Loth. So who did it? The ones the pundits say, or the one the editor said? Sheesh. Questions, questions...do I look like I was there?

Whoever did it, it's great stuff. I'm surprised it only went one issue, but then the character appeared in Marvel Mystery Comics for several years as a back-up.














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Người đăng: Unknown on Chủ Nhật, 10 tháng 8, 2008



Number 357


"Women and jungles don't mix!"


Greg Knight is the boyfriend of Lorna, the jungle babe. Egotistic Greg won't admit it, but he's got a smart, tough squeeze who's good at pulling his butt out of deadly situations. He says, "Dames! Always worrying about something! You ought to leave the jungle to us men!" Then he steps into trouble, from which Lorna has to save his sorry male-chauvinist ass. Beyond her physical strength, grace-under-pressure, problem-solving, tough-as-any-man qualities, Lorna is still in touch with her fem side. She can keep her long beautiful blonde hair perfect, even though I don't see anyplace on her abbreviated costume for a hairbrush.

The story, from Lorna the Jungle Girl #7, May 1954, is written by Don Rico and drawn by Werner Roth.







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Người đăng: Unknown on Thứ Sáu, 8 tháng 8, 2008




Number 356




Herbie and a planet called Bertram




Last week I showed you a straight-forward, adventure story by artist Ogden Whitney, this week something zany.

Looking back on the Herbie stories from Whitney and writer Richard E. Hughes from a vantage point of 45 years all I can say is, were these guys on something? This story, "Snedigger's Salad Oil," is from Forbidden Worlds #110, March-April 1963. It was the third published Herbie, with the same hallucinatory craziness we've come to associate with this character and his creative duo.










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Review: Booster Gold: 52 Pick-Up collected hardcover (DC Comics)

Người đăng: Unknown on Thứ Năm, 7 tháng 8, 2008

That Booster Gold has another series after all this time is a shock in-and-of-itself. That Booster Gold: 52 Pick-Up is good is nothing short of astounding. I guess it's true that there's indeed no such thing as a bad character, just bad concepts; taking Booster from Justice League cut-up to guardian of time (and still a cut-up) is a great concept, indeed.

That Booster Gold works, however, shouldn't be such a surprise, given that the elements within are the same tried-and-true methods that brought writer Geoff Johns (with Jeff Katz) success in Flash and Green Lantern. As far out as the stories get here, they all in some way relate back to Booster's character (much as Johns paralleled the Flash and his Rogues, or Hal Jordan and the rebuilding of Coast City). The writers write one of their best stories early on, where Booster meets a young Guy Gardner and finds they have more similarities than differences; Guy's problems with his family offer the reader insight into Booster's own.

In fact, Johns and Katz work to redeem Booster so far, I felt at times he became too likable. As artist (and Booster Gold creator) Dan Jurgens notes in his introduction, Booster was created to reflect the greedy ethos of the 1980s; even as he worked toward redemption, it still remained that Booster came from slimy beginnings. In the new version, Johns adds a slight retcon that Booster bet on future football games not for his own gains, but to pay off his father's gambling debts; this adds a note of nobility to Booster's origins that I'm not convinced it needed.

I don't spoil too much, given that the next Booster Gold trade is called Blue and Gold, to say that Blue Beetle Ted Kord makes an appearance here. Hearing this alone, and knowing the strong time travel elements to Booster Gold, my expectation is that Ted won't be allowed to remain alive in the time stream for fear of affecting some other events.

But, the last line of the trade, suggesting that both Booster and Beetle might be the greatest heroes nobody ever knew, living anonymously in the timestream, sounds really, really cool, and makes me very hopeful that Blue Beetle sticks around. Heck, couldn't they change the title to Booster Gold/Blue Beetle, and let both heroes share the spotlight? I imagine this would cause a bunch of messes in other titles, especially if other writers couldn't help but reintroduce Ted to their characters, letting alone that it might cheapen the impact of The OMAC Project -- but wouldn't it be really, really cool? I sense I'm destined to be disappointed in the next volume, but my excitement is a reflection of the power of the writing and the strength of the characters here.

I also appreciate that Booster Gold is a title where the writers are paying attention to the details. Rip Hunter's chalkboards are bar none one of the best things about this title, and I was thrilled to see not one, but two of them in this trade; the rips in time, showing everything from Anthro to Young Justice, are also a hoot. Dan Jurgens, whose art looks as good as ever, should also get a lot of credit -- he does a perfect Brian Bolland imitation when this book coincides with The Killing Joke, and the pointed look Batman gives Booster when Booster refuses Justice League membership in the beginning is spot on. (And who knows better than Batman about having a secret identity that pretends to be an idiot?)

Booster Gold is a fantastic superhero comic, beautifully drawn, with time travel used as a great metaphor for success and mourning. I'm gushing, I know, but it's exciting to find a comic book this good. Do yourself a favor and check it out.

[Contains full covers, introduction by Booster Gold creator Dan Jurgens.]

We're going to wade hip deep into The Sinestro Corps War now, and then on perhaps to some Hawkgirl. See you there!
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Người đăng: Unknown on Thứ Tư, 6 tháng 8, 2008


Number 355


The Ghost Patrol reinforces their ectoplasm!


Here's another fine DC back-up story, The Ghost Patrol in "The Hammer Man," from Flash Comics #99. It's drawn by Carmine Infantino and Bernard Sachs.








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